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Rossella Matamoros Jimenez
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    • DEVELOPMENT. DO YOU BELIEVE? 2023
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  • INSTALLATIONS 2024 / 2017 & 2014 / 1998
    • ABSENCE / CREATIVITY 2024
    • GREEN IN OUR HANDS 2022
    • MESTIZO TERRITORIES 2021
    • How Do We See Ourselves In The Mirror? 2020
    • Have you heard? Have you felt it? 2019
    • THE BORDER:Immigrants 2018
    • TRANSLUCID SEEDS 2017
    • VULNERABLE /LOAD 2014 & OTHERS from 2011 to 1998 >
      • Self Portraits Of Whom 2011
      • Gesture on Felt (painting & performance) 2011
      • The Verb That Fills Up Space 2010
      • First International Contemporary Art Biennale 2008
      • Signs On My Mother 2005
      • Venice Biennial #50 - 2003
      • The Contented Root Of My Shadow 2003
      • Signs after 9/11 - 2002
      • Of Transparencies And Spaces 2001
      • Behind Screens / Japan 2000
      • About the Other, The Being And The Scene 1998
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    • HAVE YOU HEARD IT?
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Mixed Media  -     Graphics 

"A Bet on Hope" 2024. Acrilyc on canvas 2x8 meters Part of the exhibition Absence / Creativity  2024. Calderón Guardia Museum, San José, Costa Rica.

Picture

Collage & Paintings 2024 -2025



Series Laberinths 2023. Acrilyc & collage on Canvas. 



Caminamos juntas / We Walk Together 2021


Rossella Matamoros "WE WALK TOGETHER (Seeing Each Other Again)" 2021 Video performance Rossella Matamoros  2021. Video performance, part of the research and results of the artist residency in Kárstica, Cañada del Hoyo, Cuenca. Awarded by the "Art House Spain" network of centers for Fall 2021. In collaboration with the Cultural Center of Spain in Costa Rica (CCE). This video was filmed in Cañada del Hoyo. Various local women participated. They embody the continuation of traditions, feminine strength, generosity, and friendship among women. Production, script, direction, and camera work: Rossella Matamoros.

How do We See Ourselves in the Mirror? About the Instititutionality 2020 

Museum of Contemporary Art and Design

*Francisco Amighetti National Prize 2020*

 it is part of a broader research on development and human rights, which I have been supplementing with other topics for more than a decade. For this exhibition project I interviewed many people, professionals and street people, fellow artists and acquaintances in general. It was a way of detailing the conceptual construction process and of being able to take the temperature on a small scale for Costa Rican society. From the beginning of the research for this project, I assumed that it was a "mandatory reflection" on essential changes in daily life and the integral development of Costa Rica, in the last 10 years. As an artist it became an indispensable task to understand how my country and the world is changing and what position and role I was going to take as a contemporary artist. The text became one of the main characters, or rather multiple characters ( Such as: Voting is good? What about natural resourses? Do you live in fear? In the same boat? We/the others?, etc, etc.) that question and wait for the public's response, either in their hearts or in a black stripe painted on the wall as a blackboard..

All these questions that appear in my works, paradoxically hit us even more in these times of the COVI-19 pandemic in 2020.


Links:
- https://youtu.be/rdu3gppWLhA

Do We Know How to be Free? Series of  12 acrilyc painting & collages on yuppo paper. Part of the installation How do We See Ourselves in the Mirror?
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Have You heard? Have You Felt It? 2019.
Rafael A.Calderon Guardia Museum, San José, Costa Rica


Teenage Mothers. Eight families. Part of the installation Have You heard? Have You felt it? Have you heard? Have you felt it? 2019
 Eight Acrylic Paintings on Canvas 1.70x0.80 mts. each.

The Border / Immigrants 2018
National Gallery, Children Museum. San José, Costa Rica. 

About immigrants all over the world. Specially Syrian immigrants and Central American immigrants (Cargo train... the beast). 


Mural painting:  Know  2018

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Acrilic & collage on canvas. The world today. 2x5mt. 2017

Series: The Border 

Series of murals, paintings  & collages on canvas & paper, based on the social and political processes of the Syrian "trans-migrants" &
​refugees in  2015 & 2016. 
From above
In the ground
Inside

TRANSLUCID SEEDS  2017

About Indigenous Costa Rican Women / Yesterday & today. (Archeology & Contemporary Art). National Museum of Costa Rica, part of the celebrations for the  130th anniversary. Part of the exhibition Translucid Seeds 2017. Translucid Seeds 2017

​MORE WORKS

Series works made with different materials acrylic & industrial paintings, collages on canvas, paper, cement walls, felt & wood.
ROAD OF LIGHT I
CIELO
HYPHEN & PERIOD
THREADS OF LIFE I
THREADS OF LIFE II
FROM THE BEGINNING I
FROM THE BEGINNING 2
PROCESSES
PROCESSES I
TRAVELING
ONE UNIVERSE
FLOWER POWER
VOLCANO
ONE & MANY
DOT, DOT, DOT
INFINITE
MOUNTAIN
THE VERB THAT FILLS THE SPACE
DRAWING IN PUBLIC AT MADC
STUDIO PRODUCTION
FLOOR 11x2 meters acrilyc on canvas
PERFORMANCE FLUIDITY ON "FLOOR"
PERFORMANCE FLUIDITY ON "FLOOR"
AWAITING
INSIDE/OUTSIDE
PATHS, ENCOUNTERS…RITES
INFINITE LOVE 3
INFINITE LOVE I
INFINITE LOVE II
INFINITE LOVE II
BLOOMING ROCK
BLOOMING ROCK
BLOOMING ROCK
MY HEART FORTRESS CITY at MAC
MURAL at MAC
MURAL at MAC
MURAL at MAC
BLOOMING ROCK
BLOOMING ROCK
BLOOMING ROCK
OF TRANSPARENCIES & SPACES
OF TRANSPARENCIES & SPACES
EVIDENCES, detail
CENTRAL AMERICA I
JAPAN III
EVIDENCES, ROAD & FOOTPRINTS
CENTRAL AMERICA II
COUPLE
YUGOSLAVIA
TOWERS
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