Connect with Rossella
Rossella Matamoros Jimenez
  • HOME
  • Artist Profile
    • Biography
  • Performance & Design 2000-2023
    • DEVELOPMENT. DO YOU BELIEVE? 2023
    • Performance, Scenic Conception & Dress design
    • Museography, furniture, lighting & set Design
  • Paintings & Mixed Media
    • Paintings & Collages
    • Graphics
  • INSTALLATIONS 2024 / 2017 & 2014 / 1998
    • ABSENCE / CREATIVITY 2024
    • GREEN IN OUR HANDS 2022
    • MESTIZO TERRITORIES 2021
    • How Do We See Ourselves In The Mirror? 2020
    • Have you heard? Have you felt it? 2019
    • THE BORDER:Immigrants 2018
    • TRANSLUCID SEEDS 2017
    • VULNERABLE /LOAD 2014 & OTHERS from 2011 to 1998 >
      • Self Portraits Of Whom 2011
      • Gesture on Felt (painting & performance) 2011
      • The Verb That Fills Up Space 2010
      • First International Contemporary Art Biennale 2008
      • Signs On My Mother 2005
      • Venice Biennial #50 - 2003
      • The Contented Root Of My Shadow 2003
      • Signs after 9/11 - 2002
      • Of Transparencies And Spaces 2001
      • Behind Screens / Japan 2000
      • About the Other, The Being And The Scene 1998
  • Workshops
    • HAVE YOU HEARD IT?
    • USA QUEENS
    • CR 2014
  • Videos performances
  • Press
  • Writings
    • My Little Books
    • Personal Glossary
  • News
  • Contact

THE BORDER: Immigrants© 2018

This work begins with the overwhelming immigration of Syrians and Africans to Europe mainly from 2015 onwards and follows the path with Latin American, undocumented, asylum-seeking, trafficked and desperate immigrants.

As a Costa Rican artist, it is an obligation to recognize issues that concern us all globally, and that grow and worsen due to the demographic explosion annually. This is an example of an ongoing investigation that aims to document from different social points of view that incessant and inevitable change of human geographies that move day by day from one territory to another, always with the hope of finding a better future... but does it come true??

These a series of works on canvas & collage with acrilic paint.

Picture




Performance “LA BESTIA/The Beast” de exhibition “El Borde: Inmigrantes/The Border: Immigrants”© 2018.

“The Beast”, that is, one of the many trains that has carried thousands of immigrants from the southern border of Mexico across the territory to the border with the USA. (They are also known as the trains of death). The Beast is the name of a network of freight trains that transport fuel, materials and other supplies on the railroads of Mexico, also used as a means of transport by migrants, mainly from Central and South America. However, this way of traveling is extremely dangerous and is not authorized by the Mexican State. Fleeing, hiding, paying attention to what the “coyotes” or people who charge them a lot of money, sometimes victims of violence, say, they never make it to the border with the USA…


Performance “LA BESTIA/The Beast” de exhibition “El Borde: Inmigrantes/The Border: Immigrants”© 2018.

Link:

https://youtu.be/z9zusD9f8xI?si=DLVvGfySIxC8BzrN


email: [email protected]m
 RossellaMatamoros J.®copyright©2025